Age of Earthquakes é um exercício tipográfico e ilustrativo de uma frase do livro do mesmo nome de Douglas Coupland, Shumo Basar e Hans Obrist. Estudando sentimentos que tive trabalhando com publicidade e design, usei os posters como narrativa da perda de simbolismo e abstração das artes gráficas que passaram pela escolas construtivistas como a Bauhaus e a Ulm. Das luxuosas iluminuras, à prensa de Gutenberg e o modernismo que contou mentira da linguagem neutra unviversal, o conhecimento sempre foi uma batalha de acessos e , hoje em dia, apesar do mundo globalizado, a educação ainda é para pouco e arte continua a perder seu sentido em uma realidade cada vez mais mercantilizada.
-4 posters A2 em papel Relux prateado e impressão fineart;
-4 frases caligráficas em pena metálica
e nanquim;
-4 fotografias autorais (Necrópole de São Paulo).
Age of Earthquakes is a typographic and illustrative exercise based on the book with the same name by Douglas Coupland, Shumo Basar and Hans Obrist. Studying the insights I had while working with advertisement and design, I used the posters as a narrative for the loss of symbolism and abstracion in the graphic arts that where deeply inspired by schools like the Bauhaus and Ulm. From the luxurious illuminated manuscripts, the Gutenberg press and the modernist movement - which told the lie of an universal visual language - knowledge was always a battle of acess and today, despite our globalized world, education is still for the few and art continues to loose its meaning because of a marketed reality .
-4 posters in A2 Relux silver paper and fineart printing;
-4 calligraphic setences made with pen and ink;
-4 photographs (São Paulo City Cemetery).
-4 posters A2 em papel Relux prateado e impressão fineart;
-4 frases caligráficas em pena metálica
e nanquim;
-4 fotografias autorais (Necrópole de São Paulo).
Age of Earthquakes is a typographic and illustrative exercise based on the book with the same name by Douglas Coupland, Shumo Basar and Hans Obrist. Studying the insights I had while working with advertisement and design, I used the posters as a narrative for the loss of symbolism and abstracion in the graphic arts that where deeply inspired by schools like the Bauhaus and Ulm. From the luxurious illuminated manuscripts, the Gutenberg press and the modernist movement - which told the lie of an universal visual language - knowledge was always a battle of acess and today, despite our globalized world, education is still for the few and art continues to loose its meaning because of a marketed reality .
-4 posters in A2 Relux silver paper and fineart printing;
-4 calligraphic setences made with pen and ink;
-4 photographs (São Paulo City Cemetery).