Os Dois Reinos é o End of the Year Project para o curso de bacharelado
britânico Foundation ministrado pela
EBAC. Durante três meses pesquisei referências que se encaixariam nas
inspirações que tive durante os quatros anos que
passei escrevendo a
história: de iluminuras francesas até a tipografi blackletter, preparei um projeto
gráfico consistindo em ilustrações capitulares, molduras e letras feitas
manualmente. O livro
foi posteriormente encadernado a mão, contendo a
digitalização de todas as artes, e exposto en um final de semana de exposição
em Dezembro de 2018
na faculdade.
-10 ilustrações A3 feito de pena metálica
em nanquim;
-6 molduras de capítulos em serigrafia;
-12 capitulares em serigrafia e pigmento metálico dourado;
-Capa de serigrafia em tecido, papel marmorizado
na folha de rosto;
-Caligrafia blackletter em nanquim .
The Two Kingdoms was the End of the Year project of the british Foundation Course ministered by Hertfordshire University. During the three months of development I researched references that would fit with the inspiration I had while writing this story: from french illuminated manuscripts to blackletter typography, I prepared a graphic project consisting in illustrations, capitulars, frames and hand made calligraphy. The book was later binded together with all digitalized artworkd and exhibited in December 2018 in the college campus.
-10 illustrations made with pen and ink in A3;
-6 chapter frames printed in silkscreen;
-12 silkscreen initials coloured in metallic gold;
-Silkscreen book cover over red fabric;
-Blackletter calligraphy in ink.
HOMEPAGE
na faculdade.
-10 ilustrações A3 feito de pena metálica
em nanquim;
-6 molduras de capítulos em serigrafia;
-12 capitulares em serigrafia e pigmento metálico dourado;
-Capa de serigrafia em tecido, papel marmorizado
na folha de rosto;
-Caligrafia blackletter em nanquim .
The Two Kingdoms was the End of the Year project of the british Foundation Course ministered by Hertfordshire University. During the three months of development I researched references that would fit with the inspiration I had while writing this story: from french illuminated manuscripts to blackletter typography, I prepared a graphic project consisting in illustrations, capitulars, frames and hand made calligraphy. The book was later binded together with all digitalized artworkd and exhibited in December 2018 in the college campus.
-10 illustrations made with pen and ink in A3;
-6 chapter frames printed in silkscreen;
-12 silkscreen initials coloured in metallic gold;
-Silkscreen book cover over red fabric;
-Blackletter calligraphy in ink.